In the Bible, the Apocalypse is the end of the world as we know it, but it’s also the beginning of a new one. Jennifer Wilks argues that major catastrophes can be apocalyptic in the same way. A disaster like Hurricane Katrina or the COVID-19 pandemic can shed new light on the world’s social inequalities, which makes it easier to imagine them changing. Jennifer thinks that post-apocalyptic fiction can play a role in this process, by allowing us to think ahead about times of disaster so we can act to make things better when the moment comes.
Tag: class
Spectacular dance sequences are one of the most recognizable elements of Indian cinema, and female dancers are the biggest stars. Although some critics view dance sequences as just interruptions that don’t push the story forward, Usha Iyer argues that distracting from the story is actually a good thing. Whereas the stories are typically marriage plots in which women give up their independence, focusing on women’s dancing allows us to recognise the power and skill not only of the characters but also of the dancer-actresses who have shaped these films behind the scenes.
What connects Langston Hughes to Hong Kong, Malcolm X to Mecca, and Syrian merchants to the 9/11 memorial? In this episode, English professor Wai Chee Dimock shows us how to read quintessentially American writers from an international perspective. From this angle, major American concerns like race and money start to look a little different.