What connects Langston Hughes to Hong Kong, Malcolm X to Mecca, and Syrian merchants to the 9/11 memorial? In this episode, English professor Wai Chee Dimock shows us how to read quintessentially American writers from an international perspective. From this angle, major American concerns like race and money start to look a little different.
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During the Renaissance, a writer could be imprisoned just for claiming that a husband beating his wife should show mercy. It wasn’t that the authorities wanted merciless wife-beatings. The issue was that they understood criticism of a tyrannical husband as criticism of a tyrannical king. English professor Julie Crawford explains how power relations within the home have underpinned political thinking for many centuries.
Our guest Heather Love is out to convince us of the value of description — yep, plain old description. In our conversation today, she argues that description has gotten a bad reputation in literary studies. Lately, Heather has been reading sociology books from the 1950s and 60s. She thinks that their neutral, distanced descriptions have an ethical value that most literary scholars haven’t recognized.
We live in a world with a long history of atrocity — from the colonization of the Americas to the Japanese massacre at Nanking. Our guest Bruce Robbins is curious about how these past atrocities show up in novels. In our conversation today, he focuses on how the novel plays with time. By paying attention to these shifting timelines, Bruce suggests that readers can begin to imagine a more just future.